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If you want to have a relationship, at some point you have to let yourself get caught. That’s what I did. I got caught.
In the different voice of women lies the truth of an ethic of care, the tie between relationship and responsibility, and the origins of aggression in the failure of connection.
There is a direct line relationship between what happened in Afghanistan in the work up to 11 September 2001 and what we’re doing in Afghanistan today.
The relationship between press and politician – protected by the Constitution and designed to be happily adversarial – becomes sour, raw and confrontational.
I’d fallen in love with a woman but she broke up with me and I was devastated. Six months later, I went into a suicidal depression from the break-up of the relationship, but I resolved to not do what my friends had done. And so I reached out for help.
My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.
And across Afghanistan, every single day, Afghan soldiers, Afghan police and ISAF troops are serving shoulder-to-shoulder in some very difficult situations. And our engagement with them, our shoulder-to-shoulder relationship with them, our conduct of operations with them every single day defines the real relationship.
I met Roy’s father once… And I think that Roy’s relationship with his father is still at the heart of what Roy does. But at the end of the day, he’s trying to prove himself to a father he’ll never really please.
There are tens of thousands of interactions every single day across Afghanistan between the Afghan troops and International Security Assistance Force. On most of those, every single day we continue to deepen and broaden the relationship we seek.
With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between them.