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I went through a phase when I was 13 where I would only fall in love with people over the age of 19 or 20. I never had a real relationship with any of these people, but it was definitely the guy I wanted to hang out with and wanted to go on trips with. I would be like, ‘But, Daddy, he’s a musician!’.
It takes a lot of experience of life to see why some relationships last and others do not. But we do not have to wait for a crisis to get an idea of the future of a particular relationship. Our behavior in little every incidents tells us a great deal.
The trouble with anyone when they’re unhappy or in a relationship they recognize is not working but don’t know what to do about is that they can’t see farther out than that. If the relationship is not working, if what was there isn’t there anymore, you have to do something about it.
We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other’s art.
I’m working on my relationship with my mother and father, but my upbringing has been very destructive.
In my view, relationship movies never get old because humanity will never not be confounded by their relationships.
The secret to a long-lasting relationship is perpetually imagining the worst. It’s a world view tracing back to my Eastern European ancestry and one I draw upon regularly.
This is the point being missed by readers who lament Liquor’s lack of hot sex scenes, probably because they aren’t old enough to understand that a passionate relationship could be about anything other than sex.
I always want to have a personal relationship with everybody that works for me.
You can’t be a casual observer of something humorous – you have to engage, you have to find it funny for the relationship between actor and audience to work.