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For me making music is part social, part interaction, part collaboration.
Disco is music for dancing, and people will always want to dance.
I’ve been told the weirdest things: ‘Yeah, I love taking a bath to your music!’ or ‘I gave birth to my daughter while listening to your music.’
We’re real people and we’re a band that’s been playing on the scene for a long time. We’ve made a lot of friends, and one enemy we’ve always had was the NME. They’ve always basically slated us and they’ve basically never ever written about the music.
I just want to keep making music, recording and trying different things. I don’t want to do the same thing all the time.
I’m always going to do that – record and make music.
The music industry is a strange combination of having real and intangible assets: pop bands are brand names in themselves, and at a given stage in their careers their name alone can practically gaurantee hit records.
I love slow music.
I genuinely don’t feel that anything that’s been written or said about me has overshadowed my music, and that’s the most important thing as far as I’m concerned.
I didn’t think it was fair to my music to label me as the daughter of somebody – I didn’t think it described me very well and I didn’t think it had anything to do with my music.