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In principle if I could not have a home I wouldn’t. But not having a home would be too difficult procedurally, going from hotel to hotel, the gap of three hours where you’re hungry and tired.
I love home cooking, and I’m not a great one for fast food.
I have a little kitchen office at home, where I do all my kids’ stuff.
When I’m filming, survival requires movement. You need your energy, and you’ve got to eat the bad stuff, and survival food is rarely pretty, but you kind of do it. I get in that zone, and I eat the nasty stuff, but I’m not like that when I’m back home.
I think the advent of the Internet gave us all a big boost, because by the time the Internet became mainstream and you could get it in your home, a lot of us were used to dealing in fan culture, writing to magazines or anything at the back of comic books.
But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there’s a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.
Well, I’m not good with sliminess. I hate the thought of creatures that have slime on them or creatures that leave a slimy trail. At home, the sight of a slug can bring up my breakfast.
Reading the play at home, however fulfilling, can never be the vivacious experience that Shakespeare intended.
I think it’s really important to give yourself a very big question that you’re working on that you can come home to, even if you, you know, are going to have to go without a cup of coffee or even a meal, that that should nourish you.
I was from such a large family that when I first met my wife, I told her: ‘You can go work outside of the house and I’ll stay home and continue making my cartoon strips. Maybe I’ll make some commercials nearby, you know I’ll do anything locally, but I would love to just stay at home and raise the kids like I did when I was growing up.’