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And my real enemy is not to hold the specimen sterile, but it’s the lighting. The light is our real enemy. So we have to work with very very poor lighting. But we can increase the light with computers.
That’s the new way – with computers, computers, computers. That’s the way we can have the cell survive and get some new information in high resolution. We started about five years ago and, today, I think we have reached the target.
I’m looking to evolve the concept of the new renaissance artist, taking the world by storm through the art of public display and demonstration, with technical savvy, using cell phones and computers.
Nowadays shots are created in post-production, on computers. It’s not really photography.
People don’t understand computers. Computers are magical boxes that do things. People believe what computers tell them.
We all grew up, our grandmothers and mothers had about three channels to watch, so we watched those soaps and now, a generation has grown up with the Internet and computers and video games.
Well, my wife always says to me, and I think it’s true, it’s very difficult for us to understand the Elizabethan understanding and enjoyment and perception of form as it is to say… it would be for them to understand computers or going to the moon or something.
Diaspora starts about a thousand years from now. Most of human civilisation has moved inside computers essentially, a major branch of our descendants consists of conscious software.
Obviously, our children, who have been playing with their computers since the age of five or six, don’t have quite the same brain as those who were brought up on wooden or metal toys, whose brains are certainly atrophied by comparison.
Smartphones can relay patients’ data to hospital computers in a continuous stream. Doctors can alter treatment regimens remotely, instead of making patients come in for a visit.