Menu
It was quite a European war until 1917, when the Americans joined up. They don’t have the same sense of the loss of innocence and the cataclysmic loss of life. A whole generation was wiped out.
I did a production of ‘Journey’s End,’ an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, ‘You know, you could really do this if you wanted to.’
I always found the extraordinary loss of life in the First World War very moving. I remember learning about it as a very young child, as an eight- or nine-year-old, asking my teachers what poppies were for. Every year the teachers would suddenly wear these red paper flowers in their lapels, and I would say ‘What does that mean?’
Our job is to represent the truth of human nature, whether you’re playing a tender love story that’s set in a coffee shop or whether you’re in ‘The Avengers,’ which is set in a Manhattan which is exploding.
I’m an eternal realist and the success rate for being an actor is pretty low.
Joanna points her camera at a section of society unused to having cameras pointed at it. But I don’t know about categorizing them in terms of class I’m a bit wary of that. My dad is the son of a shipbuilder.
In our increasingly secular society, with so many disparate gods and different faiths, superhero films present a unique canvas upon which our shared hopes, dreams and apocalyptic nightmares can be projected and played out.
Loki in ‘Thor’ is the most incredible springboard into a sort of excavation of the darker aspects of human nature. So that was thrilling, coming back knowing that I’d built the boat and now I could set sail into choppier waters.
Haters never win. I just think that’s true about life, because negative energy always costs in the end.
You look at the greatest villains in human history, the fascists, the autocrats, they all wanted people to kneel before them because they don’t love themselves enough.