Menu
Well, I’ve been reading a lot about the fifty years since the Second World War, about Western foreign policy and all that. I try not to let it get to me, but sometimes I just think that there’s no hope.
My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that’s just the way it is.
I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they’re trying to write about. They have music.
I’ve never believed that pop music is escapist trash. There’s always a darkness in it, even amidst great pop music.
I think the most important thing about music is the sense of escape.
One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.
At home I’ve got a very puerile, juvenile sense of humour.
If we got into a situation where people start burning our records, then bring it on. That’s the whole point. The gloaming has begun. We’re in the darkness. This has happened before. Go read some history.
The people in charge, globally, are maniacs. They are maniacs, and unless we do something about it these people are going to deprive us of a future.
Music is more difficult – try naming a political band. The Dead Kennedys. The Dead Kennedys are political, but they are more funny than they are political.