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You just kind of have faith. If that sounds kind of mystical, it’s because I really don’t know how it works, but I trust that it does. I try to write the way I read, in order to find out what happens next.
I have to have a character worth caring about. I tend not to start writing books about people I don’t have a lot of sympathy for because I’m just going to be with them too long.
If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don’t mean to.
I think that if people are instructed about anything, it should be about the nature of cruelty. And about why people behave so cruelly to each other. And what kind of satisfactions they derive from it. And why there is always a cost, and a price to be paid.
Movies have to handle time very efficiently. They’re about stringing scenes together in the present. Novels aren’t necessarily about that.
My books are elegiac in the sense that they’re odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination.
At the risk of appearing disingenuous, I don’t really think of myself as ‘writing humor.’ I’m simply reporting on the world I observe, which is frequently hilarious.
I never worry about people not taking my work seriously as a result of the humor. In the end, the comic’s best trick is the illusion that comedy is effortless. That people imagine what he’s doing is easy is an occupational hazard.
Structure is one of the things that I always hope will reveal itself to me.
About 15 years ago I went though a period of a year or so when I just couldn’t find anything good. My wife noticed I was having trouble reading menus. I bought some cheap reading glasses in a drug store. I got home and suddenly all these books that weren’t good were good.