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It sometimes makes people feel better about themselves, you know, to put other people down, or make fun of them, or maybe make mockery of their work and that doesn’t make me feel good at all.
I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn’t exist without the performance-art element.
When you’re around me and really see that all I do is live and breathe for my work, it’s not strange, it’s just Gaga.
I work very hard, but when God opens that door for you – when life opens that door for you, I should say – I think it’s important to be giving, to return the love back.
What I’ve discovered is that in art, as in music, there’s a lot of truth-and then there’s a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It’s the moment that the audience falls in love.
I don’t think that women need to smell interesting.
It’s hard knowing who to trust with your personal life. When you cry in your room at night, you don’t always know who to call. So I am very close to my family.
Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I’m trying to say is I’m trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
I’m definitely a Polaroid camera girl. For me, what I’m really excited about is bringing back the artistry and the nature of Polaroid.
I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song ‘Radio Gaga.’