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It’s something we, guys, have all done. Made tapes for girls, trying to impress them, to meet them on a shared plane of aesthetics. Read them someone else’s poetry because they do poetry better than you could do it, because you’re too awkward to do it.
I have a bit of a rebellious nature.
Do I listen to pop music because I’m miserable or am I miserable because listen to pop music?
The movies have got more corporate, they’re making fewer movies in general, and those they are making are all $200-$300m tent-pole releases that eat up all the oxygen.
Usually I do everything reverse. I practice something in movies and then I try it in real life.
I don’t want to produce anymore small or independent movies because it’s just too hard these days.
I was never into the popular school or clique or anything. Then I started doing movies when I was in high school, so then I got popular. Then the girls paid attention to you who didn’t before.
I think being self-referential is really narcissistic. Who’s to say anybody’s even thinking of you that much? But some of these movies that I’ve done, people still recite lines to me, even 20 years later.
My dad had a commercial film company, so he had a videotape player before anyone. So he got Mel Brooks movies or Citizen Kane or some classic old movies. And every summer the revival house in Evanston would show the great films from the ’50s and ’60s and ’70s.
It’s like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they’re, like, entire movies. And they show them on cable.