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I was, if you like, a successful schoolboy in that I had a degree of talent in all the required things that make you a success at school.
I’ve discovered just how symbiotic the relationship is between writers, directors and actors. They ask the same questions and strip down texts in exactly the same way.
Temperamentally I’m not a natural producer, because I don’t have the patience.
I have a three-year-old and a four-year-old at home, and my mornings are about just dealing with the fact of that. I oddly enjoy it.
You know, this idea of going around the world imposing democracy by growing a middle-class, a trading merchant class that is independent of your faith, is a good notion, but we’re all partially different – it’s no good imposing systems on people that it doesn’t suit.
Acting can be a narrow and isolated experience, because you only examine your particular part.
I’m not an American, but I have this weird connection to America in different ways through my dad living here for five years, my godfather being an American who I’m very close to.
I’ve always had a ‘Work hard, play hard’ attitude to life – I still do – but sometimes you get involved in something that needs a calm, methodical approach.
If you think you don’t want to play another psychopath, but the script is amazing, and the director is fantastic, and the story is incredible, then you may end up playing your third psychopath in a row.