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But, in each case, as a filmmaker who’s been given sizable budgets with which to work, I feel a responsibility to the audience to be shooting with the absolute highest quality technology that I can and make the film in a way that I want.
For the last 10 years, I’ve felt increasing pressure to stop shooting film and start shooting video, but I’ve never understood why. It’s cheaper to work on film, it’s far better looking, it’s the technology that’s been known and understood for a hundred years, and it’s extremely reliable.
I don’t particularly enjoy watching films in 3D because I think that a well-shot and well-projected film has a very three-dimensional quality to it, so I’m somewhat sceptical of the technology.
The term ‘genre’ eventually becomes pejorative because you’re referring to something that’s so codified and ritualised that it ceases to have the power and meaning it had when it first started.
To be honest, I don’t enjoy watching movies much when I’m working. They tend to fall apart on me a bit.
But in the back of my mind I’ve always looked to the biggest-scale Hollywood movies. Because to me the most satisfying experience is of watching a movie, if it’s done really well. And so that aspiration is always it for me, if I have the opportunity to do it.
I think there’s a vague sense out there that movies are becoming more and more unreal. I know I’ve felt it.
I’ve always been a movie guy, movies have been my thing. I love movies, all kinds of movies.
You know when Hollywood does a great big blockbuster that really wraps you up in a world, and lets you believe in extraordinary things that move you in some way, in an almost operatic sensibility? That to me is the most fun I have at the movies.
We all wake up in the morning wanting to live our lives the way we know we should. But we usually don’t, in small ways. That’s what makes a character like Batman so fascinating. He plays out our conflicts on a much larger scale.