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I’m actually living my life with the material I choose to work with.
The father figure is something I love, but also suffocate from and want to work against.
I think I can work with any type of actor.
These days I’m mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese – which means my friends.
I did a women’s movie, and I’m not a woman. I did a gay movie, and I’m not gay. I learned as I went along.
When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that.
The source of all the material comes from nothingness, illusion is working more on things you can prove. That’s the principle, the essence of life, it is actually an illusion, not immaterial. That’s worth pursuing. So illusion is not nothing. In a way, that is the truth.
I’m not a romantic. In life I didn’t have much experience with romance.
I think the American West really attracts me because it’s romantic. The desert, the empty space, the drama.
Sexuality is a big issue, but there are others – how much you commit to a relationship, to social obligation, to honesty and being honest with yourself.